Installations artwork by Ricardo Santos Hernández

Installations

I Know What a Massacre Looks Like — Large-scale mixed media installation. The genocide in Gaza is real and not invisible. This work bears witness to the atrocities — a moral injustice that no artwork can fully capture, but that demands to be seen. by Ricardo Santos Hernández
I Know What a Massacre Looks Like — Large-scale mixed media installation. The genocide in Gaza is real and not invisible. This work bears witness to the atrocities — a moral injustice that no artwork can fully capture, but that demands to be seen. — Ricardo Santos Hernández
Under the Rubble — Ricardo Santos Hernández, March 27, 2025. A mixed media installation making reference to Christ in the Rubble by Palestinian pastor and theologian Munther Isaac. A figure bound in barbed wire and chains stands amid concrete rubble and large-scale charcoal drawings — bearing witness to the devastation in Gaza and the enduring humanity beneath the destruction. by Ricardo Santos Hernández
Under the Rubble — Ricardo Santos Hernández, March 27, 2025. A mixed media installation making reference to Christ in the Rubble by Palestinian pastor and theologian Munther Isaac. A figure bound in barbed wire and chains stands amid concrete rubble and large-scale charcoal drawings — bearing witness to the devastation in Gaza and the enduring humanity beneath the destruction. — Ricardo Santos Hernández
The Sniper — Large-scale mixed media installation by Ricardo Santos Hernández. Inspired by Charles Eisenstein's "The Snipers are the Lucky Ones" (Substack, September 28, 2024) and journalist Chris Hedges' "To the Israeli Soldier Who Murdered Aysenur Ezgi Eygi" (September 17, 2024) — a graphic account of the killing of peace worker Aysenur Eygi by an Israeli sniper. Charcoal drawing, barbed wire, and cut paper silhouettes confront the machinery of violence and the human cost of occupation. by Ricardo Santos Hernández
The Sniper — Large-scale mixed media installation by Ricardo Santos Hernández. Inspired by Charles Eisenstein's "The Snipers are the Lucky Ones" (Substack, September 28, 2024) and journalist Chris Hedges' "To the Israeli Soldier Who Murdered Aysenur Ezgi Eygi" (September 17, 2024) — a graphic account of the killing of peace worker Aysenur Eygi by an Israeli sniper. Charcoal drawing, barbed wire, and cut paper silhouettes confront the machinery of violence and the human cost of occupation. — Ricardo Santos Hernández